Today, the last day of Summer 2021, composer, singer and instrumental polymath Ben LaMar Gay announces the release of his new album Open Arms to Open Us, out November 19th on International Anthem / Nonesuch. The first offering from the Southside Chicago native’s newest project is a pulsing melodic bellow featuring OHMME singers Sima Cunningham and Macie Stewart, titled “Sometimes I Forget How Summer Looks on You.” According to Gay the song is “inspired by the preparation one makes for another when it’s time for them to enter or exit an embrace, a memory or a life.”
Highlighted last week in the New York Times’s Fall 2021 preview, Open Arms to Open Us is a dispatch from “postmodern folklorist” Gay’s current place in space, filled with imaginative arrangements and his “wise and confiding baritone.”
It was produced and recorded at International Anthem Studios in Chicago between March and June of 2021. Across sixteen tracks Gay fluently interweaves jazz, blues, ballads, R&B, raga, new music, nursery rhyme, tropicalia, two-step, hip-hop and beyond in a beaming expression of his signature omni-genre “Pan-Americana” brew. Alongside his own sizable toolkit of instruments (cornet, keyboards, synthesizers, flutes, percussions), Gay surrounds himself with steady bandmates (including Tommaso Moretti on drums, Matthew Davis on tuba, and Rob Frye on woodwinds), while also shining the spotlight on female artists from his cast of regular collaborators. Featured artists on the album include: OHMME singers Sima Cunningham and Macie Stewart, bassist/vocalist/arranger Ayanna Woods, multi-disciplinary Rwandan artist Dorothée Munyaneza, poet A.Martinez, cellist Tomeka Reid, and vocalists Onye Ozuzu, Gira Dahnee, and Angel Bat Dawid.
Reflecting on the meaning of the music in a prologue he wrote for Open Arms to Open Us, Gay says the album’s title is “a suggestion of a body movement that is used in many spiritual practices and is also a gesture that represents a type of understanding that leads to touch or a hug.” He also says, “Open Arms to Open Us deals with rhythm as an inheritance of information – sort of like DNA or RNA. Coping with the present-day bombardment of data and recycled ideologies from sources essentially fed by the creed ‘Destroy Them. Own the Earth,’ often leaves me with only one thing to look forward to: Rhythm.”